William S. Boyd School of Law
Professor Mary LaFrance, who currently holds the title of IGT Professor of Intellectual Property Law, is spending her time working on intellectual property and entertainment law projects, exploring a variety of entertainment and advertising issues.
Most recently, LaFrance published an
article in the
Harvard Journal of Sports and Entertainment Law about the practical challenges of implementing a public performance right for sound recordings.
“This exists in almost every other country in the world except the United States,” LaFrance said.
Elsewhere, whenever a record is played publicly, record companies and performers receive compensation. In the United States, broadcasters and public venues pay royalties to composers and publishers in order to play a song, but the record companies and performers receive nothing. Currently, the only performances in the United States for which such compensation is paid are those which occur on satellite radio, Internet radio, or streaming music services, such as Spotify or Pandora.